Showing posts with label architecture. Show all posts
Showing posts with label architecture. Show all posts

Friday, November 30, 2007

A Futuro House Sold in Paris for 140,000 Euros


Futuro video clip 1


Futuro 2

On Tuesday 27 November 2007, one of the remaining Futuro houses was sold at Christie's auction in Paris for 140,000 euros. Futuro was a flying saucer-shaped fibreglass house designed by Finnish architect Matti Suuronen in 1968, reflecting the era's futuristic space age dreams. Futuro was the subject of Mika Taanila's 1998 documentary film Futuro - A New Stance for Future and also appeared on Jimi Tenor's video The Year of the Apocalypse.

  • Related news @ YLE
  • Saturday, December 16, 2006

    Archigram vs. Brutalist Modernism




    Modernism prevailed in architecture since the post-First World War era, in the visions of such people as Le Corbusier, Bauhaus and Functionalists; and by the 1960s this ascetic approach had developed into the minimalist, massive and menacing -- at its worst even post-Stalinist totalitarian -- style of the slabs of concrete, in what was called "Brutalist architecture". Combined with the technocratic city-planning, often manipulated by greedy and corrupt real estate deals, this was the style that prevailed all over the world, as the architecture of earlier eras was often ruthlessly erased and demolished to give way to the box-shaped steel and concrete office buildings and suburban apartment houses of element blocks. (My own hometown Tampere can well be called another example here, when several "wars" were waged over in the 60s and 70s to save such idyllic late 19th century/early 20th buildings as the City Hall or the Old Market Hall, threatened by an impending demolition in the hands of technocratic City Fathers.)

    This autocratic dogmatism of Modernism/Brutalism was now challenged by architects who respected more the organic, evolutionary aspects of the city. Perhaps the most inventive and influential thinkers in this vein were the members of Archigram, a group of British architects that got together in the early 1960s through the Architectural Association in London; comprising Warren Chalk, Peter Cook (no relation to the era's famous British comedian of the same name), Dennis Crompton, David Green, Ron Herron and Michael Webb. Archigram's ideas were expressed in imaginative, often playful fantasy projects and colourful collages in "pop" spirit, which were published on the pages of their eponymous journal launched in 1961. Many of Archigram's designs were actually never meant to be realised as finished buildings, only as joyful simulations of what architecture could perhaps be in some possible but distant future, such as Roy Herron's "Walking City" of 1964: with an outlandish idea of a city that could be moved on its mechanical legs from one area to another!

    Archigram were influenced by science fiction, comic books and other popular culture, engineering, and generally taking ideas from outside their own medium to find new approaches for architecture. In Amazing Archigram 4 Zoom Issue of 1964 Warren Chalk wrote: "In this second half of the twentieth century, the old idols are crumbling, the old precepts strangely irrelevant, the old dogmas no longer valid. We are in pursuit of an idea, a new vernacular, something alongside the space capsules, computers, and throw-away packages of an atomic and electronic age".

    Bibliography:
  • Peter Cook (ed.): Archigram (Princeton Architectural Press, 1999, ISBN 1568981945)
  • Simon Sadler: Archigram: Architecture without Architecture (The MIT Press, 2005, ISBN 0262693224)







    click for larger image



  • Archigram Image Search @ Google
  • Archigram Gallery
  • Archigram @ DesignMuseum.org
  • Archigram @ The Bartlett: Architecture
  • Archigram @ Art Tower Mito
  • Archigram @ Wikipedia
  • Friday, October 20, 2006

    Save Kino-Palatsi!




    Living in Tampere, it has been depressing to witness how traditional old movie theatres here have gradually vanished and been replaced by bland multiplexes running mostly mindless American popcorn blockbusters. I often wax nostalgic for such local yesteryear cinemas as Adams, Hällä, Häme, Ilves, Olympia, Petit, Pirkka and Royal, which formed an important part of my own cinematic education. These places have all now been closed and turned into nightclubs or even traditional theatres. (At the time of writing this, the demolition of the house of Petit at Hämeenkatu has begun; another office building coming to its place.)

    One of these important movie theatres of my formative years was also Kino-Palatsi of Tampere, built in 1928, one of the oldest cinemas in Finland which so far has retained its original style with lavish interiors. Kino-Palatsi actually ceased its activities as cinema in 1991 but has even since worked as one of the important venues for the annual Tampere Short Film Festivals. Now Kino-Palatsi faces the threat of being transformed into another nightclub owned by club entrepreneur Sedu Koskinen. Sign the petition at http://www.adressit.com/kinopalatsi to save Kino-Palatsi and an indispensable piece of Tampere's cultural history.




    One of the nude figurines by Väinö Rautalin surrounding Kino-Palatsi's silver screen. Though probably intended to give a very artistic impression, at least to this youngster with a vivid imagination (and probably to many other people, too), these naked couples frolicking in various different positions always curiously looked like some scenes from Kama Sutra...


    Links:

    http://www.uta.fi/festnews/fn2001/en/thu/kinopalace.htm
    http://www.uta.fi/festnews/fn2000/uutiset/ke2000/engl/kinoeng.htm
    http://www.uta.fi/festnews/fn2003/sunnuntai/estradien_historiaa.html (in Finnish)

    Wednesday, March 02, 2005

    A New Futuro House Site

    There's a new Website at http://www.futuro-house.net/, dedicated to the plastic Futuro house designed by Finnish architect Matti Suuronen in late 1960s, and immortalised by film director Mika Taanila in his 1998 Futuro - A New Stance For Tomorrow.

    The Futuro House site includes the following statement on its Mission page:


    "This site is dedicated to locating and documenting, with as much information as possible, all of the remaining Futuro Houses throughout the world. First with old information that’s out there, then with your help, updated photos and histories.

    If you are a current owner, past owner, neighbour, or whatever please contact me with whatever information you have. Let's gather and record history together."


    Like Eero Aarnio's Globe Chair, Futuro is truly both a Finnish design classic and a quintessential 1960s pop culture artifact. But however, as the Futuro film press release notes put it, these futuristic dreams were short-lived:


    "The 1973 oil crisis shattered the optimistic illusions about continuous economic growth and the infallibility of technology. The price of plastic climbed drastically, and the production of Futuro became unprofitable. Although the innovative Futuro attracted plenty of attention around the world, and production and sales licences were sold to 24 different countries, it never fulfilled the expectations of its commercial potential.