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Soon to be sent out to some selected TV channels... wish us luck.
... Music writer Jon Savage decides what of today's music to listen to by dividing it into two camps: the ersatz and the truly current. "My yardstick about modern records," he says, "is does it sound as though it could only have been recorded in 2007? If it does, great; if it doesn't, boring."
But Savage also feels that, especially when it comes to rock, "music has lost its futuristic edge". And his fellow music writer Paul Morley agrees. "Instead of music moving forward," Morley says, "there was a moment - which you could pin down to around Britpop, or even earlier - when it started to fold backwards on itself. Instead of music having an idealistic need to create a future, to change things and have enough optimism to believe that could happen, it has ground to a halt."
[...] the ideology that fired Morley in the 80s, when he was making music with the Art of Noise. "In a way we anticipated what was about to happen," he says. "We described it as raiding the 20th century: this century of incredible innovation technologically, emotionally, intellectually and aesthetically, which you could raid for influences, putting together a bit from here and a bit from there to create something astounding." Where Morley and Art of Noise differed from 21st-century bands, however, was in their lack of respect for the past. "Coming from a post-punk world, I was very committed to originality, to moving forward," he says. New production techniques had given rise to a new vision for music, and he was determined to be at the forefront. "Rock cliches were going to be buried in the past - even guitars. We were moving into the future: you could kind of believe that was true."
[...] "I cannot help but marvel at how peculiar that is," says Morley. "Something that was meant to be a radical music has become truly conservative, in that it conserves: it's recreating shapes and riffs and sounds that have happened before."
He's not the only one troubled by this. "I cannot stand the fact that so much rock music is ridiculously retro," says Savage.
[...] Another crucial change in the consumption of music has, says Morley, made it harder than ever for the truly original to be heard. "The coverage of music has been democratically spread into the broadsheets, radio and television; pop music seems to be everywhere. But in a funny way that means there's more interference to finding new music. So much that is familiar is being declared the 'new' thing by the record industry, the advertising industry and the mainstream media, anything that is truly unfamiliar and moving forward is more neglected than ever before."
[...] "There is a world," [Morley] suggests, "where, when people say, 'Where are the new Beatles?' the answer is the internet. We've got the new thing - we just haven't been looking in the right place for it."
Ghost Rider, motorcycle hero
bebebebebebebe he's lookin' so cute
sneakin' round round round in a blue jumpsuit
Ghost Rider, motorcycle hero
bebebebebebebe he's a-blazin' away
Like stars stars stars in the universe
Ghost Rider motorcycle hero
bebebebebebebe he's a-screamin' the truth
America America is killin' its youth
Bebebebebebebe he's a-screamin' away
America America is killin' its youth
America America is killin' its youth
Ghost Rider
Ghost Rider
"Finnish producer Mesak is also known from his Mr Velcro Fastener electro band.
Mesak has been releasing his solo material deep tech-electronica 12"s out on Klakson Records - one of the legendary Dutch labels run by Dexter & Dj Steffi.
Yksin presents the high quality instrumental bliss of Mesak at its best. This is his long lost debut album which was due to be released on the Finnish psychedelic underground label Rikos Records back in 2004. But alas, the masters were lost in the Finnish security polices anti-terrorist raid to the label headquarters and the release had to be delayed until now. Dusty original tapes (evidence no. 36) were given back after the trial came to nothing. Now the tracks are carefully re-mastered and finally brought to daylight!
All tracks are made by Mesak alone - 'yksin' in Finnish, as the artist usually uses his native language for track titles, and here expresses this is a solo album. The only featuring artist appears on 'Itikat'. It has wind instrumets arranged and performed by Finnish glitch-jazz musician Pekka Tuppurainen.
'Polypunk Bile' & 'Biosyntaksi' are guaranteed pounding-in-yer-face electro groove while 'Fake It Easy' and 'Universal Ending' dive deep into slumber melancholy in a rather downtempo feel. 'Tupajumi' stays tight somewhere in between. 'Unhola' and 'Supo' gives more uplifting soundscapes. Far out, alone."
"One year ago the debut album of Star You Star Me was released in Finland and made us happy when it was received like 'powerplay of the week' in YleX (national radio channel) and 'one of the best Finnish house albums ever' (Rumba Magazine). When 2006 turned into 2007 the extended version of the album was released worldwide on Force Tracks. Now Stars-Music is proud to present a wide variety of remixes of the album tracks.
SATOSHI FUMI (Yoshitoshi, Urbantorque, etc.) first fulfills all needs for more aggressive dancefloor sound with his 'Chaser mix' and then charms with his silky and melodic 'Milky Way mix'.
ACOS COOLKAS (Theomatic, Force Tracks) gives warm feelings with harmonic chords and disco basslines that funk in a very cool way...
JUSSI-PEKKA & KALLE-M (Frozen North etc.) rock in a very different way with their '80 Letters From Italy mix'. Stomp & vocode!
Then the tracks encountered two of the local names of our dear home Turku, Finland: MESAK (Klakson) went deep with his instrumental version of Perfect Day and AUREOLE (Moodmusic) stayed somewhere between 80's Italy and outer space..."
"Hope you'll enjoy!
Sincerely Yours
Stars-music"
"Karri Ojanen, who hails from Helsinki, Finland, started his career as an electronic musician and deejay in 1992, after first producing music with a friend of his on a pair of Commodore Amigas. Since then he has performed throughout North America, Japan and Europe, in cities including Detroit, Berlin, Toronto, Tokyo, Kyoto, Paris, Budapest, Stockholm, and St. Petersburg."
"Over the past decade his preoccupation with electronic music has led him in many directions, including event promotion and vinyl vending. Nowadays Karri runs a small audiovisual record label, Abflug, and concentrates on producing his own music."
"Karri's sound is a mix of deep techno and microhouse. The results of Karri's recent producing efforts can be heard on a 12" called "The Hits" recently released on the Berlin-based label Resopal and on a new 12" called "Mysore", which has just come out on the Cologne-based imprint Plong! More releases are due to come out this fall/winter on the Berlin-based Lebensfreude Records, for instance."