Bettie Page 1950
Bettie Page 1955
Bettie's Punishment
Betty Page (also spelled as "Bettie Page"), the iconic model of fetish, burlesque and pin-up photos in the 1950s has died at the age of 85.
More obituaries:
Showing posts with label erotica. Show all posts
Showing posts with label erotica. Show all posts
Friday, December 12, 2008
Betty Page (1923 - 2008)
Bettie Page 1950
Bettie Page 1955
Bettie's Punishment
Betty Page (also spelled as "Bettie Page"), the iconic model of fetish, burlesque and pin-up photos in the 1950s has died at the age of 85.
More obituaries:
Thursday, November 06, 2008
Who's Nailin' Paylin?
The first minute off Who's Nailin' Paylin? (2008) [Safe for work watching]
Sarah Palin, the Vice President candidate for Republicans, has inspired many spoofs, parodies and countless image manipulations spreading on the Net. Obviously there's something in this former-beauty-queen-gone-icebear-hunting-ultra-conservative which especially appeals to male fantasies. [One thing that is for sure is that our own 'Sara Pain' had nothing to do with her!]
One inevitable outcome in this booming mini-industry (something that is hard to imagine with Joseph Biden) is naturally an adult movie dedicated to her exploits called Who's Nailin' Paylin? (subtitled "Adventures of a Hockey Milf"), with the up-and-coming skin flick starlet Lisa Ann playing Governor "Serra Paylin" and the adult film veteran Nina Hartley as Hillary Clinton, and brought to us by no one else than The Hustler Video. Maybe there are alternative career prospects in sight for Ms. Palin after the current election defeat.
Drill, baby, drill!
Sunday, September 07, 2008
Wednesday, August 06, 2008
Techno-Doping East Is Red
A story on Helsingin Sanomat science page caught my eye yesterday, on Chinese Olympic team uniforms designed by Nike and the featured story on "techno-doping", where for example the latest inventions in nanotechnology are used to design sophisticated tracksuits, swimming suits and sports shoes for the athletes thus gaining better results when such things as air friction are minimized to their extremes.
The most interesting thing in the story, though, was the image above, of track and field uniform -- in the best Lara Croft sci-fi spirit -- for the Chinese team sportswomen where the imagery of communism (Chinese flag) and capitalism (Nike logo) converge in an ultra-technological, (un)holy 21st century union of two ideologies formerly considered their polar opposites. A hyper-trained androgynous android from the Eastern human factories; the narcissism of Nazism and fetishism of fascism now joined by the consumerism of communism?
Tuesday, August 05, 2008
Friday, July 25, 2008
More Mechanical Fruits from A Clockwork Orange Tree
Karenlee Grant's collage art for the alternative version of A Clockwork Orange soundtrack (1972)
A Clockwork Orange -- a 1962 novel by Anthony Burgess and its 1971 film adaptation by Stanley Kubrick -- has stirred controversy and both positively and negatively influenced people in ensuing decades since the original conception. The movie was released in 1971, the same year as two other notoriety-gaining film studies on violence, Don Siegel's Dirty Harry and Sam Peckinpah's Straw Dogs, indicating that something had perhaps gone sore in the aftermath of the 60s liberal revolution.
Probably Burgess and Kubrick's intentions were not exactly ACO becoming such a pop phenomenon and starting a life of its own, inspiring countless artists in music (from David Bowie to Sigue Sigue Sputnik; punk movement being in general another reflection of the ACO ethos), fashion, and naturally other films (Oliver Stone's sensationalist Natural Born Killers lacked the philosophical depths and ironic nuances of Kubrick). My own take on ACO is as a sister work to Kubrick's 2001: A Space Odyssey (1968), perhaps depicting the sinister, seedy and violent circumstances of those unfortunate left on Earth while Dave Bowman and Discovery crew were on their more spiritually heightened, universe-embracing cosmic pursuits.
Here are some new-found interesting alternative takes on the phenomenon.
Feuilleton, the blog by British visual artist John Coulthart always worth checking, recently featured an entry on A Clockwork Orange and sounds & images connected to it.
Switched-On Bach was a 1968 album of Johann Sebastian Bach adaptations for the Moog synthesizer, painstakingly created by the electronic composer W. Carlos together with Rachel Elkind as a sort of sonic animation movie with multiple tape splices, when with early Moogs one could only generate one monophonic sound at a time. The album was a huge success in the days synthesizer was still mostly considered an expensive gimmick only good for creating spooky or funny sound effects for sci-fi movies and radio jingles, as is chronicled in Analog Days (2002) by Trevor Pinch and Frank Trocco. Or to be used in avantgarde music, allegedly with not too much commercial potential there.
Rock bands such as The Doors also had experimented with a Moog synth but the instrument was considered only good for creating weird psychedelic sounds, to spice up a bit the usual rock instrumentation, and not something one could create whole albums with. Switched-On Bach changed all that, and tons of more-or-less cheesy copycat Moog albums followed in its wake: there were some exceptions such as the works by Dick Hyman, but at this moment Moog felt like another passing craze.
Nevertheless, thanks to the album's success, Wendy Carlos was subsequently commissioned by Stanley Kubrick, planning his film version, to basically do the same thing for Ludwig van Beethoven, the favourite composer of Alex, in the book the devilish leader of his gang of "droogs".
Alongside the official film soundtrack, Wendy Carlos published in 1972 another album featuring also Carlos's compositions for the film that remained unused. On her page Carlos shares more information on her film music.
Allen Jones (b. 1937) is a British sculptor who came into prominence with his notorious "Chair, Table and Hat Stand" -- the jury is still out whether this is a misogynist work of glaring pop art verging on pornography or an ironic, even feministic comment on sexism. In a Guardian story Allen Jones tells Kubrick wanted to use his designs as props for the film but Jones refused, instead offering to design BSDM-type rubber costumes for the Korova Milk Bar waitresses (it's interesting Jones calls himself a feminist in the Guardian story). Kubrick didn't use the outfits by Jones but still emulated the artist's style for the bar's now-infamous forniphiliac furniture.
Some unused Clockwork Orange designs by Allen Jones
Monday, June 09, 2008
Prince 50 Years
Prince obviously doesn't like Websites featuring his images, videos, lyrics or music, so here instead some pics of his early-80s protégés, a girl group Vanity 6, which later became Apollonia 6.
Prince just got 50 -- pHinnWeb congratulates. I am a huge fan of his 80s output, Prince's "Golden Age" with the winning series of albums like Dirty Mind (1980), Controversy (1981), 1999 (1982), Purple Rain (1984), Around the World in a Day (1985), Parade (1986) and Sign 'O' The Times (1987). Perhaps I'll give a closer dissemination of these one day. Anywhere, it was Lovesexy (1988) which started 2 leave me cold and after which I didn't have 2 collect from him just everything I could get into my hands. Anyway, thank U 4 the memories, influence and inspiration -- may U still live 2 see The Dawn (and hopefully a return 2 the form one day).
Sunday, April 13, 2008
Dorothy Iannone Meets Melissa Logan of Chicks on Speed
Controversial Fluxus artist Dorothy Iannone interviewed by Melissa Logan of Chicks on Speed:
http://www.artinfo.com/news/story/26823/do-not-go-genitally/
Thursday, January 17, 2008
The Sweet Smell of Success?
Daily Surrealism:
A brand calling itself, erm, "Vulva" is apparently a new fragrance (of German origin, naturally), supposedly to smell like... well, draw your own conclusions. It's still unclear if it's a parodic take on Tom Ford aftershave, as seen below:
At YouTube:
Jonathan Ross
The Young Turks
More:
[via Ballardian]
Thursday, December 20, 2007
Giant Vagina Stuns Helsinki
The Finnish Society for Aesthetics has granted to the artist Mimosa Pale The Aesthetic Action of the Year 2007 Prize for her sculpture Mobile Female Monument. The jury, comprising the professors Pauline von Bonsdorff and Jyrki Siukonen, calls Mobile Female Monument "a surreal and at the same time a very humane work of art which simultaneously depicts both public and personal space. Seen from afar, the Gogolian giant nose on wheels reveals itself on a closer look to be a female reproductive organ. Pale invites passers-by to crawl inside the piece and be re-born there".
From The Finnish Society for Aesthetics site:
"The Finnish Society of Aesthetics has from 1997 on nominated The Aesthetic Action of the Year and awarded its maker with an honorary prize. The prize is awarded annually by a changing jury consisting of 3-5 persons, including members of the governing body of the society and other experts. The honorary prize is awarded to a person or community, which by his/hers/its activity, products or thoughts has promoted discussions on art, beauty and aesthetic values. The prize is made public on the day of the annual meeting of the Finnish Society of Aesthetics."
Links in Finnish:
Thursday, December 13, 2007
Hymy: Historian havinaa
For the fans of Finnish sensationalist magazine Hymy which had its heyday in the 1960s and 70s (featuring such notorious writers as Veikko Ennala), the magazine has now archived some of the most (in)famous articles from this era as PDF files and with brief introductions in Finnish [also featuring a section of erotic short stories especially commissioned for the magazine from some well-known authors of the day, such as Hannu Salama and Kaari Utrio(!)]:
http://www.hymy.fi/historian-havinaa/
Thursday, September 27, 2007
Veikko Ennala
Miltei kohdusta hautaan minua seurasivat kalvava alemmuuden ja kyvyttömyyden tunne, kaiken ja kaikkien epäily, raskasmielisyys, tuska- ja paniikkitilat ilman silmin näkyvää syytä ja epätoivoinen kurottelu rehellisyyteen. Kirjoitin ymmärtääkseni miten asiat olivat enkä miten niiden olisi pitänyt olla. Tämän takia minulla ei juuri ollut ystäviä.
("Almost from womb to tomb I was followed by the nagging feelings of inferiority and impotence, doubts of everything and everyone, heavy melancholy, states of pain and panic without any visible reason and the desperate reaching out for honesty. I wrote to understand how things were and not how they should have been. Because of this I had few friends.")
- Veikko Ennala in his self-penned obituary, 1991
Veikko Ennala (1922-1991) was the enfant terrible of Finnish journalism, whose specialty was stirring controversy with magazine articles and columns penned by him, often of autobiographical content; breaking all possible taboos concerning sex, death, suicide, religion, alcoholism and substance abuse, crime and the general social conditions of those living on the wrong side of the tracks. Now a long-time Ennala aficionado Tommi Liimatta (of the band Absoluuttinen Nollapiste fame and a writer in his own right) has collected from the late journalist's writings this anthology, spanning nearly half a century, called Lasteni isä on veljeni ja muita lehtikirjoituksia ("The father of my children is my brother and other magazine writings").
The 1960s was a remarkable turning point when over 300.000 Finns emigrated to Sweden after a better living, and even inside Finland population moved from countryside to its large towns as the country which had been up until now predominantly agrarian rapidly turned towards industrialisation. This served to emphasize all sorts of social frictions which became all the more visible now when the newly settled dwellers of towns often faced -- instead of the economical Eldorado with better living standards that they had been expecting -- urban alienation which replaced the cosy rural way of life they had been earlier on accustomed to: where the bonds between families, relatives and neighbours had been tight, and life went on relatively unchanged from one generation to another. In fact, the whole Finland had been up to the 60s one large village with strict and homogenous ways of thinking; the combination of Evangelical Lutheran religion and Fennomanic patriotism providing the tight moral framework for all citizens, from which any diversion was heavily frowned upon.
So, all this suddenly changed in the 60s; not to talk about the onslaught brought on by TV, media and all kinds of new cultural and social values. In the 1966 Parliamentary Election, the Left (Social Democrats and Communists) received a landslide victory and the Conservatives found themselves in the opposition (which lasted all the way to 1987). The young intelligentsia found themselves radicalised, which was reflected in all domestic cultural life. The overall global tumult of the decade has been well documented elsewhere, so suffice it to say that Finland wasn't left unaffected, though the era's socio-sexual-cultural revolution came to this country at least slightly delayed, filtered and customised to the local mentalities. However, this all was reflected by Finland's most sensationalist magazine, called Hymy ("Smile"), which was established already in 1959 by a budding publisher mogul and Hemingway-wannabe Urpo Lahtinen (1931-1994) and named after his then-wife, Hymy Lahtinen. It took over half a decade for Hymy magazine to gain momentum and reach its full throttle, but when Veikko Ennala -- who had already gained some journalistic notoriety -- joined its ranks in 1965, the time was ripe to shake things up in tepid Finnish culture.
By no means was Ennala alone responsible for Hymy's subsequent rapid ascent -- which reached its apex with the December 1968 issue, the total edition of 520.000 which was sold out, becoming the best-selling Finnish magazine of all time -- but he became to personify the magazine's journalistic agenda, which consisted of a combination of "human interest stories", accounts of all kinds of social and political injustices, celebrity interviews and naturally gossips, sensations and scandals. All sorts of illicit sex or unusual sexual behaviour, homosexuality (which those days was still a criminal offence) and perversions were in the special spotlight, often analysed in a pseudo-scientific way, and all articles naturally accompanied by revealing photographs, so that by the 70s Hymy could well be called a soft porn magazine, though one browsed through by all family, either in public or more or less in shameful secrecy.
Accounts of both physical and mental illnesses and their countless appearances filled the pages of Hymy. Crime and the asocial lives of alcoholics, drug users and addicts were covered; also the primitive and severe conditions under which inmates had to live in correctional institutes and the poor people in countryside. The abuses of religious revivalist movements were exposed, even though also paranormal phenomena and ghost stories had their place on the pages, when all things mystical enjoyed some new-found interest in the Aquarian climate of the 60s. In other words, nothing human (or inhuman) was alien to Hymy magazine; everything that whetted the imaginations of star-struck sensation seekers and potential Peeping Tom types was covered.
Though America had "Gonzo" writers like Hunter S. Thompson and "New Journalism" represented by Tom Wolfe (in the style of his Stateside "counterpart", Ennala also liked to dress dandy-like; like Wolfe, favouring posh white suits), perhaps somehow distantly related to Ennala's style, it's hard to imagine that a character like Veikko Ennala would have been produced by any other culture, with that specific Finnish combination of Arctic hysteria, melancholia, mania and depression finding all their expressions in his work full of angst and lust. The workaholic Ennala estimated that as a writer he had produced approximately 30.000 - 50.000 sheets of A4 size during his life. Despite that, he was also a stylistic perfectionist, who advised that every text has to be written over at least for six times. His style is peppered all over with literary and poetry quotes; apparently the cultured Ennala was not exactly one of your typical gutter press hacks, and might as well have taken a successful career in "fine literature" (he actually also published some novels and short stories), but why he chose scandal press instead, must have been a question of some very complicated circumstances and perhaps just a personal tendency as a social misfit to go against the grain.
Admittedly, Ennala's style can be at times corny and downright soppy when he attempts with poetic turns of phrase to paint a picture of the hard fates of his long-suffering subjects but only ends up with voyeuristic saccharine melodrama, which makes him look look a pretentious hypocrite, albeit one who knows his world literature; just like "Olli Meri", a caricature of Ennala the late film director Risto Jarva depicted in his 1972 Kun taivas putoaa ("When the Heavens Fall..."), a tragicomical satire of yellow press, especially based on Hymy magazine.
The Ennala articles in this book are collected not only from the pages Hymy but also men's magazines published under the umbrella of Lehtimiehet, Urpo Lahtinen's company, such as Nyrkkiposti, VIP, Ratto, Jallu and Kalle. From the 1950s are Ennala's articles for Apu magazine where he worked with another legend of Finnish journalism, Matti Jämsä (1929-1988), known for his daring death-defying escapades which he reported for the magazine. (Ennala got kicked out of Apu after a scandal of getting sexually involved with a 15-year old girl.) The earliest Ennala stories are from the 1940s when he worked during the Continuation War as an official war correspondent for the Information Department of the Headquarters. However, Ennala's ambitions to become the next great war writer à la Erich Maria Remarque were hindered by the censorship of high brass, who were annoyed by the realism of Ennala's combat report, unworthy as any spirit-raising propaganda, for the esteemed Suomen Kuvalehti magazine. Famous writer Olavi Paavolainen, Ennala's superior officer at the Information Dept., called young Ennala his "literarily gifted problem child". After the war Ennala also had his own column at the local newspaper of Valkeakoski, writing as "Veli-Pekka". His last articles Ennala wrote in the 80s and just before his death in 1991 for the crime magazine Alibi.
The texts here are not in chronological order but the editor Liimatta has arranged them into such thematic categories as Ennala's life, reportages, religion and church, sexuality, little man and society, alcohol and drugs, prisons and mental health, paranormal and mysticism, celebrities, columns by Veli-Pekka for Valkeakosken Sanomat, and more Ennala's life.
Some examples of Veikko Ennala's texts found from the pages of this book:
Ennala reported in sardonic tones a characteristically bacchanalic Midsummer celebration on the Yyteri Beach near the town of Pori, known for its seaside dunes and camping site. Finnish youth drunk out of their minds, I witnessed this same Midsummer inferno of Yyteri myself decades after Ennala, to notice Finns still stick to their beloved paganistic Juhannus traditions of drinking, fighting, knifing each other and drowning.
Ennala was supposed to test some LSD and write a story, but gladly his editor prevented this, being aware of the writer's tendency to heavy melancholy and depression. Instead, a young graphic artist of Hymy took the substance, Ennala and the editor monitoring the proceedings and the former writing a story, not forgetting to duly repeat the LSD horror stories the late-60s media was full of.
Ennala was constantly annoyed by his reputation as a lecherous old man, an "emperor of porn", for which his children got bullied at school, but only added petrol himself to the flames with his articles such as "How To Seduce A Woman", and his infamous condom test for which he announced for a female willing to do the test with him (and found one). However, among tons of angry letters, Ennala also received from the more liberal-minded readers praise for his candid articles about sexuality and willingness to write about some of those subject matters which had been so far taboo in the puritanist Finnish culture.
There is something of a reckless exhibitionism about the way Ennala opened to all people through his writings his personal life, drunken binges with their violent hangovers, problems with his health and marriage, though all accounts were spiced with loads of sardonic self-irony and morbid humour. There's a detailed report of his ulcers for which he was hospitalised in 1974, the surgical operation that followed and his convalescence; also his later -- and terminal -- lung cancer was duly reported by Ennala. It's always embarrassing to follow people who wash their dirty laundry in public, and Ennala -- the indisputable master of this -- is no exception with "Death of My Marriage", his bitter Strindbergian account of the failure of his marriage and the reasons leading to it. (Subsequently, the ex-wife committed suicide some years later, Ennala also writing another infamous article not included in this collection.)
One theme that followed Ennala all through his career was his constant preoccupation with all things concerning death, afterlife and the existence of God, which he pondered on and on, though considered a blasphemer by religious bigots who kept bombing the writer with letters he claimed were often surprisingly obscene: another proof to Ennala of these people's basic sexual frustrations. Despite being a thorn by the side of fanatics, revivalists and self-made "prophets" and their eschatological claims of the imminent apocalypse and such things as glossolalia ("speaking in tongues") which he openly ridiculed, Ennala was an iconoclast who kept thinking about spiritual matters thoroughly and endlessly, who couldn't exactly decide if he was a believer (of sorts), an agnostic or an atheist.
Though it's not known if Ennala was familiar with the works of English visionary poet/artist William Blake, his own motto might well have been borrowed from Blake who wrote in his Proverbs of Hell that: "Prisons are built with stones of Law, Brothels with bricks of Religion". Veikko Ennala's attitudes about religion seem to stem from his childhood with his tyrannical teacher father (and occasional substitute priest) who regularly beat his wife and young Veikko into submission. (Somehow, these accounts make me think of those experiences depicted in his autobiographical Laterna Magica by film director Ingmar Bergman about his own strict priest father.) Veikko's religious faith was tried by father's cruel sadism and additionally, finding out about a "whoremonger priest" of his own parish, who had been found abusing young servant maids. Gladly father also had a vast library of world literature and Veikko nourished himself with the works of Edgar Allan Poe and Th. Hoffman (who also influenced Ennala's own short stories, the first of them published in a magazine when he was 11), Anatole France, André Gide, Alphons Daudet and Gustave Flaubert.
The book is concluded by Ennala's self-penned obituary that was published in Alibi #11/1991. Despite his shortcomings, Ennala was a unique character in Finnish journalism, and his passing at the age of 68 feels now like him having left us just too early. Even though the appreciation he was looking for during his lifetime seems to have been mostly posthumous: as one proof this excellent book.
Tuesday, November 28, 2006
Collage Art: Danny Dark Records (UK)
[large image]
In pHinnWeb's irregular series of interesting collage art from around the world: I spotted the one above from the ad of a British record label Danny Dark in the latest Wire magazine.
Danny Dark Records site has more examples of their collage art: recordings section with artwork and T-shirts and posters section.
Saturday, August 19, 2006
The Genius of Kenny Everett!
Opening credits to a typical Kenny Everett episode
Kenny Everett (1944-1995) was a British madcap TV comedian who came into prominence in the 60s as a radio DJ. His Kenny Everett Video Show / Video Cassette was shown here in Finland in the early 1980s as Videoviihdettä. Featuring the hilarious Captain Kremmen sci-fi parody animations and such memorable characters played by Kenny Everett himself as Cupid Stunt (below) and Sid the Snot, this show with its combination of some wacky post-punk era anarchism, snazzy graphics & Pythonesque animations, contemporary pop culture (such people as David Bowie performed there) and lots of conservatives-scaring sexual innuendo (Everett's irreverent sketches and the steamy performances of Hot Gossip dance troupe) remains in my memories alongside even Monty Python's Flying Circus. Show some reruns, please!
More Kenny Everett search results @ YouTube
Also the risque dance troupe Hot Gossip was a mainstay at Kenny Everett's shows:
Hot Gossip and 'Sleazy' (performer not mentioned)
Hot Gossip and Flying Lizards' 'Money'
Hot Gossip and Blondie's 'The Hardest Part'
Hot Gossip and 'Hot Pink Coat'
More Hot Gossip search results @ YouTube
Friday, August 18, 2006
Ursula Martinez: Is It Performance Art, Comedy, Stage Magic or Strip Tease?
You've probably never seen anything like this...
Watch one example of Ursula Martinez stage shows here (erm, so I suppose it is not suitable for children).
***
From her own site:
Ursula Martinez is a London-based writer and performer. She has worked with several leading British experimental theatre companies including Forced Entertainment, Insomniac Productions, The Glee Club, and Duckie, with whom she is an associate artist.
10 years ago Martinez began working as a solo artist on the queer club/cabaret circuit where she soon achieved cult status.
"She sets fire to her tits, interrogates her parents, re-defines class, blurs fiction with reality, cures homosexuals, gives birth to penises, tells autobiographical stories, deconstructs performance and sings South London suburban flamenco - from high brow to low brow, from spectacle to confessional, from live art to light entertainment, Ursula Martinez produces solo and collaborative performance for theatre, site-specific, installation, cabaret, night club, film, television... birthdays, weddings and Barmitzvahs!"
Ursula Martinez @ BBC Arts
Monday, July 31, 2006
Saturday, July 29, 2006
Friday, July 14, 2006
Old Jallu Magazines To Be Reprinted
Obviously, there's some larger interest in vintage Finnish men's magazines at the moment, since there will now be a series of reprints of the issues of Jallu magazines from 1950s to 80s.
Friday, June 30, 2006
Additions to Finnsleaze: June 2006
[Skip this entry if you are under 18 years old.]
The meaning of life is here!
It's been a while since any new additions to Finnsleaze, but after a hiatus of some time, some new old magazine covers have found their way to the site.
From the 1950s to mid-80s -- the busy-handed purveyors of hardcore porn may find themselves disappointed by the low onanie material content here, of especially these older magazine covers, but for the fans of vintage pin-ups these might provide some stylish and nostalgic eye candy.
Aikuisten Lukemisto:
No. 2: Halut heräävät
Cocktail:
24/72 | 21/73
Erotica:
6/84 | 3/85
Jallu:
Compared to the magazine of the same name published these days, these images of beauty queens in swimming suits are much more family mag fodder.
5/63 | 2/64 | 3/64 | 5/64 | some issues from '67 to '69
Kalle MK I:
1950s pin-up magazine with burlesque queens and showgirls -- you probably can see more provocative and raunchy material in family magazines these days, but these have their own undeniable nostalgia value.
9/53 | 11/53 | 1/54 | 7/54 | 10/54 | 11/54 | 15/54 | 17/54 | 18/54 | 19/54 | 20/54 | 21/54 | 22/54 | 23/54 | 6/55 | 7/55 | 14/55 | 18/55 | 21/55 | 2/56 | 3/56 | 16/56 | Christmas '56
Kalle MK II:
The new incarnation as the "modern style" skin mag which started in the early 1970s.
2/80 | 7/80 | 9/81 | 4/82 | 12/85
Nyrkkiposti:
1969 - various covers | 4/74 | 5/73 | 7/74 | 8/74 | 9/74 | 10/74 | 12/74
Onni:
1/77 | 2/78 | 1/79 | 2/79 | 1/80 | 4/80
Pelimies
No. 1: Äitiä, tytärtä ja pikkusiskoa | No. 3: Rinnat kuin revolverit | No. 5: Reittä pitkin kuolemaan | No. 6: Himon orjat
Ratto:
7/73 | 3/74 | 7/76 | 4/77 | 6/77 | 11/79 | 12/79 | 5/86
Seksi:
8/73 | 7/74 | 11/74 | 4/75 | 11/76 | 9/77 | 9/79
Suomi rakastaa - Raton sukupuolisanomat:
1/77
+
Seksisirkus
The meaning of life is here!
It's been a while since any new additions to Finnsleaze, but after a hiatus of some time, some new old magazine covers have found their way to the site.
From the 1950s to mid-80s -- the busy-handed purveyors of hardcore porn may find themselves disappointed by the low onanie material content here, of especially these older magazine covers, but for the fans of vintage pin-ups these might provide some stylish and nostalgic eye candy.
Aikuisten Lukemisto:
No. 2: Halut heräävät
Cocktail:
24/72 | 21/73
Erotica:
6/84 | 3/85
Jallu:
Compared to the magazine of the same name published these days, these images of beauty queens in swimming suits are much more family mag fodder.
5/63 | 2/64 | 3/64 | 5/64 | some issues from '67 to '69
Kalle MK I:
1950s pin-up magazine with burlesque queens and showgirls -- you probably can see more provocative and raunchy material in family magazines these days, but these have their own undeniable nostalgia value.
9/53 | 11/53 | 1/54 | 7/54 | 10/54 | 11/54 | 15/54 | 17/54 | 18/54 | 19/54 | 20/54 | 21/54 | 22/54 | 23/54 | 6/55 | 7/55 | 14/55 | 18/55 | 21/55 | 2/56 | 3/56 | 16/56 | Christmas '56
Kalle MK II:
The new incarnation as the "modern style" skin mag which started in the early 1970s.
2/80 | 7/80 | 9/81 | 4/82 | 12/85
Nyrkkiposti:
1969 - various covers | 4/74 | 5/73 | 7/74 | 8/74 | 9/74 | 10/74 | 12/74
Onni:
1/77 | 2/78 | 1/79 | 2/79 | 1/80 | 4/80
Pelimies
No. 1: Äitiä, tytärtä ja pikkusiskoa | No. 3: Rinnat kuin revolverit | No. 5: Reittä pitkin kuolemaan | No. 6: Himon orjat
Ratto:
7/73 | 3/74 | 7/76 | 4/77 | 6/77 | 11/79 | 12/79 | 5/86
Seksi:
8/73 | 7/74 | 11/74 | 4/75 | 11/76 | 9/77 | 9/79
Suomi rakastaa - Raton sukupuolisanomat:
1/77
+
Seksisirkus
Friday, March 03, 2006
Polytron vs. Kompleksi: Porno Tampere Limited Edition CD-R EP
[Skip this entry now if you're under 18.]
Here's the cover art by Spektakl GrapHiks for the extremely limited edition (of 2!) of the Porno Tampere CD-R EP by Polytron vs. Kompleksi, released back in August 2003.
The track 'Porno Tampere' will be in its finished studio version on Kompleksi's debut album Sister Longlegs Dances In A Disco, out some time in 2006. Also final versions of other tracks on this EP (all Kompleksi originals) will be found on the album.
Finnish text: "Grandma and me."
Finnish texts: "Don't move, Vieno-Inkeri." "It feels so good!"
Finnish texts: "Jyrki Hämäläinen - 'My wife knew about the prostitutes'" "Fuck yeah!"
Here's the cover art by Spektakl GrapHiks for the extremely limited edition (of 2!) of the Porno Tampere CD-R EP by Polytron vs. Kompleksi, released back in August 2003.
The track 'Porno Tampere' will be in its finished studio version on Kompleksi's debut album Sister Longlegs Dances In A Disco, out some time in 2006. Also final versions of other tracks on this EP (all Kompleksi originals) will be found on the album.
Finnish text: "Grandma and me."
Finnish texts: "Don't move, Vieno-Inkeri." "It feels so good!"
Finnish texts: "Jyrki Hämäläinen - 'My wife knew about the prostitutes'" "Fuck yeah!"
Subscribe to:
Posts (Atom)
