... can be found here.
pHinnWeb lives on @ Tumblr
"Microscope Contents" is the first single to be taken from Kelpe's forthcoming third album for DC Recordings, Cambio Weschel, (which is released on October 12 2009). It begins with the eponymous title track -- an infectious, bass-driven, electro melody which pulses over a constantly evolving percussive groove.
Slugabed 'Dig Up Stupid' is exclusive to this single (it does not appear on the forthcoming album) - a gently grooving electro track replete with warm bass drones that intermittently bubbles with sinister arpeggios that strangely evoke some lost, anxious moment of arcade game tension.
For the fourth and final track Kelpe himself takes album highlight 'The Blankout Agreement' and reworks into a club-weight steppa that rocks its self back and forth from head-nodding groove to floor-smashing anthem, all the while chattering with percussion and subtle melodic inflections...
Kelpe (joined by Chris Walmsley on drums) will be playing selected live dates around Europe to accompany the release of Cambio Weschel. For more info, see http://www.myspace.com/kelpemusic.
manSEDANse 8.‒11. lokakuuta 2009
Lehdistötiedote (iltaohjelma) 2/3
Julkaisuvapaa: heti
Elektronisen musiikin tyylit sulavat manSEDANsen uunissa
Elektronisen musiikin ja kulttuurin festivaalin manSEDANsen iltaohjelmisto on valmis. Ohjelmasta on koottu jälleen ainutlaatuinen ja monisärmäinen kattaus elektronisen musiikin tuoreinta soundia, klassikoita sekä kokeellisempaa tuotantoa.
Klubilla koetaan perjantaina Suomen virkeän dubstep-skenenkin puitteissa iso ilta, kun ulkomaillakin yhä laajempaa huomiota herättävät kotimaiset dj-tuottajat Desto ja Dead-O saavat lavalle seuraa Englannista. Pitkistä ja eri tyyleissä (dubstep, grime, 2step, garage) rönsyilevistä seteistään tunnettu lontoolaiskaksikko Dusk & Blackdown voisivat varmasti hoidella koko illan soiton, mutta suomalaisten lisäksi heidän täytyy tehdä tilaa toisellekin illan brittiläiselle pääesiintyjälle, joka on Appleblim. Myös Appleblim on eri musiikkityylien yhdistäjä. Hänen ylistetyt dj-settinsä, tuotantonsa ja Skull Disco -levy-yhtiönsä tunnetaan muun muassa dubstepin ja teknon vaikutteiden hienoista sekoituksista. Appleblim on osallistunut myös kansainväliseen modernin musiikin workshopiin Red Bull Music Academyyn (RBMA). manSEDANsen ja RBMA:n yhteistyön hedelmänä Appleblim koetaan vihdoin Tampereella.
Lauantai-iltana Klubilla esiintyvät Mike Dred, Global Goon sekä Aleksi Perälä. Kyseessä on kolmikko, joka muodostaa vankan kivijalan legendaariselle Rephlex Records -levy-yhtiölle. Mike Dred (aka. Kosmik Kommando) oli Rephlexin perustajan Richard D. Jamesin (Aphex Twin) jälkeen ensimmäinen Rephlexille levyttänyt artisti. 90-luvun alussa James ja Dred alkoivat tuottaa yhdessä Universal Indicator -nimisten julkaisujen sarjaa, joista tuli acid-genren 90-luvun klassikoita. Parhaillaan Dred valmistelee uuden albumin julkaisua. Uusi levy valmistui Dredin mukaan 8 vuoden ja 8 kuukauden tauon jälkeen, eli levyllä Rolandin rumpukoneklassikko TR-808 lienee taas kovassa käytössä!
Vuonna 1996 Rephlexillä debytoinut Global Goon tunnettiin alun perin hänen omaperäisen soljuvasta ja melodisesta braindancestaan, mutta artistin tuoreimmilla levyillä on ollut kuultavissa selkeä käänne. Viimeisimmät Global Goon -julkaisut ovat TB-303:n jykevöittämää, mutta edelleen persoonallisen melodista acidia. Aleksi Perälä (aka. Ovuca, Astrobotnia) on puolestaan yksi Rephlex Recordsin kuluneen vuosikymmenen tuotteliaimpia artisteja. Hänen tänä vuonna jälleen uudella taiteilijanimellä Boom Blaster julkaisemansa levy ei istu lyhyisiin määritelmiin. Joku voi kuulla tutun perälämäisesti rönsyilevässä Boom Blasterissa minimaaliteknoa, toinen jopa dubstep-rytmiikoita, mutta... Braindancea se on! Lauantaina levyjä pyörittää tietenkin myös pettämätön dj DCOM.
Telakan torstai-ilta on suoraa jatkoa aiemmin päivällä Mediamuseo Rupriikin tiloissa järjestettävälle päivätapahtumalle. Päivällä elektronisen musiikin historiasta luennoiva Petri Kuljuntausta soittaa illalla levyjään. Clouds-duostakin tutun Samuli Tannerin sooloprojekti Ponytail on yksi tämän päivän kiinnostavimmista ja kehutuimmista kotimaisista kokeellisen musiikin projekteista. Päivällä ihmeellisiä itse tekemiään soittimia esittelevä Mika Rintala eli Verde tuo laitteensa illalla Telakan keikalleen.
Sunnuntaina Telakalla esiintyy tamperelaisia elektronisen musiikin kantavia ja myös piileviä voimia, kuten Kompleksi, mmaakkee, Aerodynamystix ja sekä paikallisia dj-kollektiiveja.
Aiempaa laajemmista manSEDANse-päivätapahtumista enemmän seuraavissa tiedotteissa.
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manSEDANse-festivaa li 8.‒11. lokakuuta
tiedote 3/3 (manSEDANse/ Finlayson -päivätapahtumat 6.-11. 10. 2009)
Julkaisuvapaa: heti
Elektronisen kulttuurin historia ja tulevaisuus kohtaavat manSEDANsen päiväohjelmassa
Elektronisen musiikin ja kulttuurin festivaalin manSEDANsen päivätapahtumat laajenevat tänä vuonna koko festivaaliviikon mitalle ja myös sisällön ja kohderyhmiensä osalta. Finlaysonin alueella Mediamuseo Rupriikin tiloissa sijaitseva Vooninkisali täyttyy näyttelyviikon ajaksi installaatioista ja mediataideteoksista, joiden lisäksi tilassa järjestetään monipuolinen elektroniseen kulttuuriin syventyvä seminaarien, luentojen ja työpajojen sarja.
Torstaina (8.10.) kannattaa jokaisen suomalaisesta elektronisesta musiikista ja sen historiasta kiinnostuneen suunnistaa Finlaysonille, kun esillä on ainutlaatuinen paketti alan tietoutta sekä elektronisten soittimien rakentajapioneereja. Aiheesta massiivisen tietopaketin On/Off kirjoittanut Petri Kuljuntausta perehdyttää luennollaan kuulijansa suomalaisen elektronimusiikin historiaan runsaiden ääninäytteiden saattelemana. Luennon jälkeen alkavan Audiohackers Workshopin kunniavieraita ovat Erkki Kurenniemen soittimia esittelevä Mikko Ojanen sekä taiteilijanimellään Verde paremmin tunnettu Mika Rintala.
Suomalaisen elektronisen musiikin pioneeri ja edelleen laajaa kansainvälistä kin kiinnostusta herättävä Erkki Kurenniemi tuli tunnetuksi 60-luvulla soitinrakentajana, elektronimusiikin säveltäjänä sekä avantgardistisena visionäärinä. Helsingin yliopiston musiikkitieteen oppiaineessa opettava Mikko Ojanen esittelee Finlaysonilla Kurenniemen soittimia Dico (1969) ja Dimi-A (1970). Pitkän linjan elektronisten soittimien rakentaja on myös Verde, jonka rakentamat laitteet hämmästyttävät ja viehättävät samalla kertaa. Niiden ääniä on kuultu paitsi miehen omalla yli kymmenellä levyllä, myös esimerkiksi Circlessä, Ektroverdessä ja dokumentissa Futuro. Torstain päiväohjelma täydentyy illalla Telakalla, jossa mm. Verde ja Petri Kuljuntausta (dj) esiintyvät.
Avajaispäivänä tiistaina luennoiva tutkija Kari A. Hintikka tutustuttaa kuulijansa ihmisen ja koneen sekä biologian ja kybernetiikan välisiin suhteisiin 1800-luvulta aina vuoteen 2075. Hintikka havainnollistaa vuorovaikutteiseen taiteeseen keskittyvää luentoaan valokuva-, elokuva- ja videonäyttein alansa keskeisten vaikuttajien teorioista, tuotannosta ja ilmiöistä.
Keskiviikon manSEDANse Play! on omistettu ajankohtaisen pelikehityksen ja
-tutkimuksen esittelyyn. Pelitutkimukseen perehdyttämisestä vastaa tutkija Jaakko Stenroos, jonka jälkeen kokoonnutaan keskustelemaan pelien ja pelaamisen tulevaisuudesta tutkija Olli Sotamaan johdolla. Mukana on myös valtakunnallisesti toimiva pelinkehityskerho Score, jonka toimintaan ja tuottamiin peleihin tutustutaan pelitutkimuksen esittelyn jälkeen.
manSEDANsessa on ohjelmaa myös nuorille, kun yhdessä muusikko Jan Anderzénin, kulttuuriosuuskunta Uulun ja Museopalveluiden TAITE-verkoston kanssa toteutettu yläasteikäisten työpajat perehdyttävät osallistujiaan elektronisen musiikin tuottamiseen. Nuoret tuottavat työpajassa yhdessä oman elektronisen musiikkiäänitteensä. Nämä työpajat on tarkoitettu vain nuorille ja niihin voi osallistua TAITE-verkoston kautta.
Vooninkisalissa on esillä myös useita installaatioita ja mediataideteoksia, joista osassa katsoja vaikuttaa itse teoksen sisältöön. Esimerkiksi kolmen helsinkiläistaiteilijan toteuttama ”Enaktiivinen installaatio” tarjoaa katsojalle tämän ei-tahdonalaisien reaktioiden mukaan muokkautuvan audiovisuaalisen kokemuksen.
Pääsymaksuton ja kaikille avoin manSEDANse/Finlayson -kokonaisuus on avoinna tiistaista sunnuntaihin (6.10.–11.10.), pääsääntöisesti kello 10–18. Tarkemmat aikataulut ja aukioloajat löytyvät web-osoitteesta
http://mansedanse.com/events_fi.html.
Lisätietoa:
http://mansedanse.com
press (at) mansedanse.com (tiedustelut, pressikuvat, haastattelupyynnöt)
Acid Symphony Orchestra - Diamonds Of The Night from Jori Hulkkonen on Vimeo.
We call it Skweee mini preview from David Giese on Vimeo.
Close on the heels of the Death Before Distemper 3, which saw The Idjut Boys mix up the more discofied elements of the DC catalogue into a succulent melting pot, comes Part 4 in the series -- a crunched-up counterpart to the Idjuts mix that has been assembled by DC's own aquatic beat-monger KELPE.
Given the run of the label's catalogue, but with the emphasis this time on the earlier and more experimental side, Kelpe splices and dices material by DC protagonists old and new to create strange and unlikely hybrids. Moving rapidly through material (forty eight tracks are featured in around forty-six minutes), the results are a beguiling mix that present the sounds of DC Recordings in some startling new ways...
The frenzied beats of Depth Charge's formative work rubs shoulders with the psychotic fury of Booze; the smooth glassy funk of Tom Tyler combines majestically with atmospheric beats of Big Two Hundred; Octagon Man's proto-techno is fused with the cosmic pop of Higamos Hogamos...
This mix precedes Kelpe's brand new studio album Cambio Wechsel, which will be released in October 2009, and forms the continuation of the Death Before Distemper series that began with the original 2006 compilation (DCR76), 2008's Revenge of the Iron Ferret (DCR89) and the aforementioned Idjut Boys mix (DCR95) that was released in spring 2009.
Sunn 0))) / Pansonic
‘CHE’
PTYT 021 - Release Date 1st June
Limited editon of 1500 White Vinyl & 1500 Clear Vinyl
This is serious......serious as a heart attack!
The hooded ones touch branch wands with the unsmiling Finlanders for six epic minutes.
Joe Preston intones the incantation as inscribed by the seer, Vega.
Sky's crack, lightning bolts rend the sky, Valkyries ride the storm.
Flip the disc,
13 Crosses, 16 Blazin' Skulls.
Sci-Fi electronic metal machine music.
A live in hell 2008 version of a song first heard on Vega's cruelly ignored 2007 album "Station"
All hail.
+
Lost soulman of the Black Country, Stephen Burroughs, sometimes head Head of "Head of David".
Gira-esque acoustic version and Stephen's first visit to a recording studio in near a decade.
Time's a circle
Twisted tunes in an inside out package.
Beautifully rendered "hidden" drawings by Coulter Jacobsen: drawn and re-drawn from memory.
The best batch yet.....?
A Sunn 0))) / Pansonic - Che (6:00)
B1 Alan Vega - Thirteen Crosses (Live 2008)
B2 Stephen Burroughs - Goodbye Darling (4:05)
Stephen Burroughs ex-Head Of David singer made a Brando-like return to the studio in the summer of 2008, for the first time in over a decade.
Inside Cover Image: Coulter Jacobsen "Flash Falls After Donal" (2006)
Special Thanks to Coulter & Corvi Mora Gallery, London.
A Limited Edition of 3000More info @ Blast First Petite
"a teacher, sitting behind the teacher's desk and looking down at the watch she wears on a chain around her neck. The loud tick-tock of an old grandfather's clock is heard in the background. Then suddenly the school bell rings. The unmistakable, very low bass voice of the narrator [Gahnström] (voice-over was an organic element in Shell Finland's commercials until the 1990s and was imitated in numerous contemporary commercials): 'Suddenly it is 3 p.m. Polarized sunglasses. Now for 12:80. They change your whole world. For a special price. At Shell.' [This sort of "clipped" telegram style was typical of Shell's advertisement lingo. -pH] During the speak, the Supergirl removes her spectacles and puts the sunglasses on. At that same instant her hair falls down and the topknot hairdo changes into a glamorous coiffure. The last scene shows a race car curving away on an icy road."
(Visa Heinonen, Jukka Kortti & Mika Pantzar: "How Lifestyle Products Became Rooted in the Finnish Consumer Market - Domestication of Jeans, Chewing Gum, Sunglasses and Cigarettes", 2003, PDF)
Sci-fi–lo-fi–indie-synthesizer-pop-rock from the singer–songwriter–multi-instrumentalist Pasi Palonen's (also of Popsicle People) solo project Paanpa. After last year's wonderful demo Mehujääihmisten uneton uni (which can be downloaded here) comes Paanpa's debut album, philosophical comment on the delicate relationship between man and machine.
Can a machine feel love? Can even a human being feel love? Can a human and a machine ever find each other, romantically? What about an intimate relationship between flesh and cold, cold metal? These are important questions of which no-one has ever written even a doctoral thesis(!).
As a human being, as a machine of flesh, I've been coded with these biological scripts that cause us to feel crush, hate, the need to touch and be touched, the ability to feel sorrow and even so-called love - these are emotions, electrical phenomena going on in the brain, that man has located and given them names. These are the days of making a consumer product from every basic need man has, so that these needs can be sold for example as part of TV's programme flow or as a sex shop's services (not to mention all those dating sites over the Internet).
The world we try to perceive every day is after all created by man. Man has also created every machine and every human being of today. Form is discretion, and there is no soul... So, I make a profound question: Is there really a difference between a creature grown in a womb and a machine, built up piece by piece in a factory? These both creations have (in most cases) some sort of an operating system with some sub programs.
As an individual raised by science fiction literature, I strongly feel the urge to ask, to speculate about the thing called 'reality'. I do not expect getting neutral answers, if any. I also feel that pop music is as good a format to make these questions as a scientific (or a science fiction) publication is.
I have been honoured to feel a machine kind of love, to be a guinea pig for a sadistic dentist's dark fantasies, to mourn my own loneliness, and between all of this I've been conceiving and amending my own views of this planet, Earth.
I recorded this record in my bedroom where I also wrote most of the songs. When Jaakob Karhu contacted me about making this CD-R, about half of the songs existed in a form or another. Quickly I understood what it was going to be, even if my songs tend to take a direction of their own and crawl out of my reach. If I believe in something, it is that things tend to work out somehow - may the results be for good or bad. This happened to 'Ihmisen ja koneen välisestä ystävyydestä', too.
– Pasi Palonen, Tampere in May 2009
Moscow duet VEGA STEREO – Alexey and Nastya
Long suite of hypnotic ambient landscapes, electronic minimalism and relaxed floating through soft spaces of colors – created with vintage analog synthesizers. The other member of this mysterious Russian duo is also known for his project Analog Concept.
Even though the title of the previous album may have suggested otherwise BQ hasn't split up. There was some hesitation however if the next album should be something different. After working awhile simultaneously with two different tracks BQ soon realised that these two songs were not ment to be together on the same album. Both needed more space and time. The spacier of the two caught more attension because it had the spirit BQ had been searching for; this could be BQ's Atem? So instead of something different you get more of that familiar slow and dark BQ sound you have learned to love. Better luck next time. Maybe.
H. K.Official site
The Chicks have been busy in the last 2 years, filming video, making art installations, Girl Monster extravaganzas, reading books, exhibiting all over the planet, making patchwork fashion collections (for Insight, Crystal Ball and Yoox.com), building high heeled shoe guitars, high tech Super suits that trigger sound and video and other Objekt instruments ... AND THEY EVEN FOUND THE TIME TO MAKE THIS NEW RECORD!
CHICKS ON SPEED’s fifth album Cutting The Edge utilises the collective as a mechanism for the production of instantaneous sound and music recordings. The Chicks worked with: Whomadewho, Mark Stewart, Joe Robinson, A.L. Steiner, Kathi Glas, Anat Ben-David, Christopher Just, Fred Schneider, Gerhardt Potuznik, Patrick Pulsinger and especially UK Super producer team “A Scholar and Physician”.
The studios, where the album was made, included hotel rooms, trains, bathrooms in cellars of art galleries, over Skype and live recordings taken from their Art Rules performances @ MoMA and Centre Pompidou.
The songs range from self-referencing pieces, like “Art Rules” and “Extended Paintbrush”, full of insider information and irony, poking fun at the art world (to encourage people to be courageous and humorous) 60’s bubble gum pop “BUZZ”, which is all about the lost glamour of flying, Fassbinder inspired “Black and White Diva” featuring Kiki Moorse, who departed the group 2 years ago, to persue a solo career. “Sewing Machine” came about after the Chicks found a photo of themselves in El Pais crediting them as being Kraftwerk on stage. “Vibrator” ended up sounding so B52’s-ish that the Chicks just had to call up Fred Schneider. And yes, the recording happened over Skype.
The "Objekt Instruments" are the newest addiction the Chicks on Speed have, they’re the ultimate culmination of fashion, performance and wearable sculptural art, taking advantage of the latest technological developments in science and new media. Most of the songs on the album have been created by using the "Objekt Instruments"; amplified rocks, a high heeled shoe guitar, sax going through a guitar amp, plucking a gutted Piano, and the inspiration for the album title, the scissors.
Watch out for these "Objekt Instruments" handmade by the Chicks @ the new COS live shows and exhibitions the world over.
Oh and by the way, experimentalism has never sounded so Pop!
* Objekt Instruments made in conjunction with Hangar.org, Modul8, Christophe Coppins, Kampnagel theatre.
More Info/Media/EPK: www.chicksonspeed.com/cuttingtheedge.html (pw: chicksedge)
Booking: all European/Asian/Australian booking enquires: cris@primary.uk.com
All other enquires: management@chicksonspeed.com; organisation@chicksonspeed.com
P & C 2009 Chicks On Speed Records GmbH, Kolosseumstr. 6, 80469 München, Germany
CUTTING THE EDGE
Chicks on Speed are Melissa Logan and Alex Murray-Leslie who've conspired together since they ran their illegal bar together, behind the Munich Art Academy in the late 90s.You can try this at home. Sew these ingredients together and you got Chicks On Speed's happy white girl howling surprise of a fifth album, "Cutting The Edge":
1) Take a lot of art and heart and make it smart with catchy, scratchy melodies and pithy, echoey words that lacerate and negotiate the crazy state of human play. Primp and prep primary popping colors and lock them down with hooks that click tight, in saucy, defiant songs that spin you across the shiny dancefloors of your mind.
2) Make tunes that matter. Dramas and meditations in pop song form. Vibrator, whose B52's panache lured that band's Fred Schneider to join its sexy romp. Super Surfer Girls' funny beach fantasies; Art Rules Pop's scalding satire of art's money dance; Sew- ing Machine's found sounds from the sweatshop and inter-linguistic lyrics, the provocative textures of Extended Paint- brush's bouncy hedonistic agit-pop; the sheer provocation of Sex In Der Stadt's recycling porn ads; and the title track's timeless question - Are you fake? Or are you real?
3) Choose your collaborators wisely. You must trust them abso- lutely. We're talking serious threats like Mark Stewart; Anat Ben-David, Joe Robinson, Douglas Gordon, A.L. Steiner, Kathi Glas, Christopher Just, Fred Schneider, Gerhardt Potuznik, Patrick Pulsinger and especially UK Super producer team A Scholar and Physician.
4) Work across nations and oceans with tools like Skype and OBJEKT instruments you make yourself - amplified rocks, guitars like stiletto heels, saxophone warbling through guitar amps, piano strings plucked by hand.
5) Wear your own designs of "super suits" that trigger sound and video, made of futuristic textiles with ancient cat's eyes that see into the present.
6) Let a smorgasbrod of symbols slash expectations as you smash the grey part- itions between art, fashion, music, museums, government, industry and the way you choose to live your life & dreams.
7) Don't forget the scissors, just as effective as a big bass drum, cutting you off from what you want to leave behind and giving this record its name.
8) Add a dash of heartbreak, hilarity and wicked insight.
9) Record on the run, in hotel rooms, trains, bathrooms in cellars of global art galleries, over Skype and live on stage at Art Rules performances at MOMA in New York and the Centre Pompidiou in Paris.
10) Keep stitching. The departure of Kiki Moore after their last album two years ago, caused soul-searching. Would the Chicks survive? But COS's exuberant art needs kept them flinging their own glitter. Feel it? It's our time to shine. Fuck off, vampires, it's too late.
by Vivien Goldman
Vivien Goldman is a writer, broadcaster and musician whose post-punk cult classic 'Launderette' is re-issued on COS's Girl Monster. Her fifth book is The Book of Exodus: the Making and Meaning of Bob Marley and the Wailers' Album of the Century. Known as The Punk Professor, she also teaches Reggae courses at NYU and writes for the New York Times, the New Statesman, the Observer and many more.